Ibiyinka Alao: Spreading the message of art
Nearly two years ago at my previous blog, Confessions of a Conflicted Cultural Skeptic, I posted a rant titled “Deaf and Blind, not to mention Dumb.” It described a visit by Nigerian artist Ibiyinka Alao to the high school where I’m employed as a teacher. The bulk of the post went to describing my seething anger at the disrespect shown by the students during Mr. Alao’s presentation, which was held in the gym as a mandatory all-school assembly. I also used my self-given opportunity to say angry and despairing things like this:
“The worst part of it was the contrast between how the students were behaving and the content of what he was saying. The man was laying his heart bare before us, in both his paintings and his words. He explained that he had always been a taciturn young man—and of course he paused to define the word for the younger ones (not to mention the older ones)—and said it was only three years ago that he became able to speak before audiences like us without displaying much fidgeting and nervousness. In explaining the origins of several of his paintings, he filled us in on his private emotional life and told us about his personal and family histories, thus giving us quite an intimate glimpse inside the soul of a sensitive artist who constantly struggles to make sense, and to make beauty, out of the confusions and hardships of life.
“Or at least he would have given us such a glimpse if there had been anyone there to receive it. More and more in recent years, on occasions like the one I’m describing, I am drawn to dwell upon the Aristotelian/medieval concept of adaequatio in the inflection given to it by E.F. Schumacher in his book A Guide for the Perplexed. Although the word in general refers to the model of truth as the conformation of rational thoughts to objective realities which they can grasp, Schumacher speaks of it in more widely in terms of the adequacy—or inadequacy—of an individual to perceive truth at all, and in particular, to perceive the deepest truths of life and reality. ‘Are all men “adequate” to grasp all truth?’ he asks, and then answers no. There must be a necessary minimum capability and appropriate predisposition for a person even to recognize the existence of an exceptionally profound and/or delicate and elusive truth, let alone to understand it. Such is the nature of, for example, the type of truth approached by religion.
“Such is also the nature of artistic truth. Ironically, this is the very thing that Mr. Alao talked about today when he stressed the essentially mysterious aspect of a true work of art. As he stated this, he was facing a group of students who for the most part could not have cared less about him, his artwork, his words, or his presence. And this lack of caring was functionally equivalent to deafness. The man might have stated the secret meaning of life itself, and it would simply have fallen to the gymnasium floor and died quietly.
“Aside from my anger and embarrassment—both for him and for the student body, not to mention us teachers who rightfully shoulder some (but hardly all) of the blame for this state of affairs—the main thought that occurred to me during this fiasco was how sad it all was. Whether he was aware of it or not, Mr. Alao was fighting a losing battle against the influence of television, video games, and the Internet. He couched his delicate and profound insights in chains of sustained, coherent thought, and this simply doesn’t fit the cognitive and emotional capacities and patterns of the contemporary generation of American teens. They are ‘adequate’ to something else entirely, something whose form fits the lines of the flash-cut editing and mind-mushing rhythms of music videos, C.S.I., and video games, and whose content fits the idiotic and sentimental/nihilistic tropes of (un)RealityTV and maudlin pop songs. As a generation they are deaf and blind to anything that doesn’t conform to this shape. And as such, they are dumb not only in the sense of being stupid, but in the sense of not having much, or perhaps nothing at all, to say of value, since their inner world is informed by the basest kind of trash and the outer world appears to them as a solipsistic reflection of their shallowness and barrenness—although very few of them realize this even when it is pointed out to them directly.”
During the interim between then and now, I’ve seen reports from time to time of Mr. Alao’s ongoing visits to area schools here in southwest Missouri. And I’ve wondered how it is that he keeps visiting us down here.
Just this morning I stumbled across a story in the local-area daily newspaper titled “Spreading the Message of Art,” which reports that Mr. Alao has married a woman from Springfield, Missouri (the hub city of southwest Missouri) and decided to live here temporarily while she finishes college. He continues to carry his message of the transformative power of art to schools and other institutions around Missouri.
I was really, really impressed by the man when he came here in January of last year. Today’s newspaper article paints an endearing and impressive picture that accords well with what I saw in him and heard from him in person. Here are a few choice excerpts:
“Alao, 32, puts on presentations at Ozarks schools because he believes art can be used to address social issues, unite people and build confidence in children.
“‘Nobody can force you to take drugs if you feel good about yourself,’ Alao said. ‘If you help people to be creative, that creativity helps us to be more caring. If you are a creative person you care more about life.’
“Harmony is a key theme in his work, and he symbolizes it through the use of vibrant colors. Often, images of eyes are embedded in his paintings to represent God watching over people.
“Professionally, he’s a trained architect, although painting consumes his life now. He’s in the process of building an art school in Nigeria, said his wife, Jessica Alao. Ibiyinka’s belief that art can change the world, and his peacefulness, immediately captivated Jessica when they met.
“In addition to the presentations at schools, Alao has also worked with Greene County Jail inmates and other prisoners in an attempt to demonstrate the power of art. He was invited to do this through an Assemblies of God prison ministry.
“‘He has volunteered a lot of time and energy just to help other people,’ said Gail Yielding, his mother-in-law.
“His inspiration comes from God, Alao said. ‘I like to think of it as a spiritual thing of my heart. Every physical thing comes to an end, but the spiritual goes on and on and on.’
….“In 2001, when Alao entered an international art competition sponsored by the United Nations, he had no idea how it would change his future. He placed first in Nigeria, went on to compete against entries from 60 other countries and eventually snagged first place out of entries from around the world.
“The Nigerian government named him an ‘art ambassador’; he landed in New York City to promote his work and homeland.
“New York proved too chaotic for Alao. He decided to visit the Midwest, which he says is more reminiscent of where he grew up.
…. “Alao met Jessica Yielding, his future wife, during one of his presentations. Jessica says she was captivated by’”his heart. He’s so peaceful.’
….“[Alao says,] ‘All I talk about is harmony, diversity. I meet a girl who is totally different from me in terms of skin color, where I am from. So I guess maybe it was some kind of invitation from God: This thing I talk about, can I live up to it?”